It’s great to have choices..but sometimes you find yourself in what Stravinsky called “the abyss of freedom”. I decided that I would go deep on one synth for a while and this is the one:Dune 3.
It is a truly rich and glorious sounding machine, with none of the “graininess” of some of the even “high end” synths. It is actually an 8 layer synth where each layer can be an independent synth. Each layer has 4 possible oscillator types (Virtual Analog/Wavetable/FM/Noise Generator) that can be mixed, panned, modulated, filtered and sent to one of two incredibly comprehensive Effect Outputs. Add in two Arpeggiators/Step Sequencers and there is never an excuse for a “static” sound.
The FM section looks fairly basic but it is very musical…and one of the things I like best about this synth is that it encourages “knob twiddling” instead of just using presets. It’s intuitive enough that you can build a sound from scratch with a specific intention (ie. “My Ultimate Super Thick Fuzz Bass”) or you can experiment with the settings and be surprised (in a good way).
So back in the day, when I was an aspiring musician/songwriter, I looked for the closest recording studio to where I lived..and it was almost walking distance..Willowmill Recording.
It was in a converted garage of Gilbert Jullien’s house and it was outfitted the remnants of the Track Recording’s studio (API/Ampex) . I was so green at the time that I had no idea of even what those names meant. The asking price there for 8 track 1 Inch recording at the time was $ 25 an hour so I booked the session and brought my brother Rob and our drummer in to record a song. When I inquired whether Gilbert might have some better mics (like a Teac or Tascam..not these WWII looking mics)..he said that all he had were these 5 Neumann U 47 Tube Mics for Vocals.
When I asked Gil for his opinion on our performance, he responded with a chuckle “Compared to what..?”. I was naturally incensed and I vowed two things then and there..
1. I am learning how to do this, it can’t be that hard..
2. I am NEVER paying for this again.
Two months later, Gilbert wound up turning the studio over to me to run and wound up being a great mentor and friend…and one of the people that I can truly call a Genius…as well as introducing me to Franco Falsini.