Omnipressor Days

WillowMill PicI found this studio in the Virginia Yellow Pages when I was looking to record some original songs with my band. Local (about 8 minutes away) and priced right, this somewhat haphazard choice set the stage for my entire career path.

The owner and engineer Gilbert Jullien was as close to a genius as I have met. He had been given an Eventide Omnipressor that was supposedly unfixable (he jokingly referred to his broken unit as the “OmniDepressor) but, within 10 minutes of speaking to their tech department on the phone, Gil had not only figured out how to get it working, he had been offered a job with them on the spot.

He taught me (in the words of John Burr) “Everything you know but not everything I know” about recording. After about 3 months, he came to me while I was still finding my way around his studio and handed me the keys, saying “If you can figure it out, you can run it”. Thus began the first of the 10,000 hours.

So when Eventide offered a special price on their Ultra Channel Strip that included not only a software version of the Omnipressor but also a stripped down Harmonizer, I had to bite. One of the best features is the ability to drag any component within the strip into any order. Great emulation,great plug in..but why not throw a reverb in??!!

Ultra Channel

 

2016…”Hello….”

Adele,Taylor Swift, The Weeknd and Kendrick Lamar… but the big story last year was streaming. The future is here and, despite the rise in vinyl, it looks like physical media’s reign has ended. We saw lots of debates about artists, writers and producers (not) getting paid, despite the explosion of a global market. In a world where computers should be able to create truly “transparent” tracking and accounting, the labels and rights holders are remaining vague about how much is coming and/or going out.

I currently use Google Play, as it is pays one of the highest rates (see here). This service on my phone, coupled with a Bluetooth Speaker and set of headphones, has revolutionized my listening habits and experience. Wi Fi is just about everywhere so data consumption for streaming is not an issue for me. I can find 98% of what I am looking for and I find their “recommendations/similar artists” sections to be decent. The one thing that I miss is the “rarities” but most of those are on You Tube and that is part of the service that I’m paying for so I don’t feel guilty about that. Through streaming, I rediscovered some past favorites such as Todd Snider, Josh Ritter, The Amazing Rhythm Aces, Jellyfish, Martin Sexton and many more.

I also saw some great live performances by artists such as Bettye Lavette, Dawes, First Aid Kit, Teddy Thompson and Ben Sollee. All this plus a brilliant new album by Jason Isbell…not a bad year.